My work often deals with concepts of decay, entropy, and the failures and shortcomings of the human mind and body. Often, this is accomplished with the analog of granular sampling and glitching of both audio and visual source material. I aim to create impossible logic and forms with an emphasis on inaccuracies caused by the failure of memory. I create situations which pit flawed memory against the counterpoint of corporeal reality in physical forms. Most recently, this has been embodied in the creation of a large collection of photogrammetric models which serve as visual proxy for the gradual decay of memory over time.